Chimeric Conventiality essays

Chimeric Conventiality essays Since its initial publishing in eighteen-thirteen, Pride and Prejudice continuously promulgates the world with a maudlin tale of the Bennet family women, as well as their various suitors. The work concentrates on the courtship of a genteel young woman (Kroeber 510h) and the development of relationships. However, at a time of zenith for the literary movement of romanticism, Austens work displays her more conservative views with a capricious, yet comical twist, with the expected addition of Austinian Irony. Jane Austens independent approach to eighteenth century England creates a spellbinding novel in which the lack of romanticism, as well as the roles of women and society interdependently function in the lives of the characters as each entity attempts to shape the rest of their lives. The tone and motif of Austens first sentence creates a reoccurring tone as well as displaying the authors ironic attempt to refute romanticism: It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife... this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters. (Austen 1) In a system where conventional convictions dominate quixoticism, or any sort of romantic feeling, a lack of emotion and depiction of a rigid social system proliferates (Francis 2). As one critic suggests, the love in some of the courtships possesses a very pedant nature (Kneedler 4) based upon the intricate social system. When Charlotte Lucas lures Mr. Collins into marrying her, the marriage provides a convenient facade in a relationship that lacks almost any kind of quixotic emotion. George Wickham originally slanders Darcy with the hopes that Elizabeth, enchanted by Georges endemic charm, will form an objectionable stance towards Darcy and concentrate more on him. As detrac...